March has been reasonably prolific for me: I’ve completed a short story, a piece of flash fiction and a piece of micro-fiction. I’ll see how these do in competitions. Meanwhile, I’ll focus on some new work. I’m carrying around plenty of ideas in my head, jostling for space. I need to carry on getting them down, honing them until they feel something like complete.

1.  Been back to the Coliseum: when we went there before Christmas I fainted in my seat (they were high up and I hadn’t been well a few days beforehand). When my pal booked tickets for The Mikado I was apprehensive, but needed to get back in the saddle. And, from the same very high seats last Friday, all was well. Great show, too.

It sounds a silly thing to need to get over. When I was a child I was always fainting. “It’s her metabolism. She’ll need to eat little and often,” my mother was told. She was forever putting a couple of barley sugars in my coat pocket to eat at school. But, as an adult, the sensation of feeling faint in a darkened packed theatre was terrifying when you’re not quite sure how you’re going to get out afterwards. Thankfully my lovely pal negotiated all this for me.

So Friday was important. It also taught me something else: even if I faint in a darkened theatre, nothing truly terrible can happen. Let’s hope I have no further need for this wisdom.

2.  Read something out in front of a group of strangers at a writing course: I was at a weekend course at the fabulous CityLit where I met lots of lovely and talented people. Brilliant tutor too. The aim was for us to have a draft of a short story by the end of the weekend and the tutors was asking for volunteers to read their ‘beginnings’. I had set myself the task beforehand of standing up and reading something out if possible and I managed it (I was standing metaphorically if not literally).

Great feedback, too. Very encouraging. It’s easy to think you’ve written something unimportant or tedious that takes too long to hit any moment of resonance. Feedback is important and so welcome. And I have my first draft! I can see this as a completed piece. Brilliant.

While watching lovely Professor Brian Cox talking about stars and planets on the TV.

Next: tinkering with a short piece I’m writing for another blog. Must harness this energy when it appears!

We found them after a jaunt around Regent’s Park, lunch in Marylebone High Street and a potentially dangerous visit to the marvellous Daunt bookshop.  And last week we made a return visit. These ‘new’ places are in a long-favourite area, Marylebone, and attract the rag trade, media and publishing crowd.

The Yorkshire Grey is long and narrow with the beautiful features and stained glass windows of a Sam Smith’s pub (known to us as a G&T pub as the wines in them aren’t great. We stick to gin and tonic). There’s something decadent about a mid-week day off work, sipping G&T by a roaring fire, with BBC radio sound engineers chatting around us. Then on to the Crown and Sceptre (with a special wine offer on Wednesdays! Just the thing when a nice glass of Rioja is often six quid.) A nice buzzy bustle in this larger pub.

And I’m thinking about new places too: dipping a toe in, taking a leap into something new work-wise. It feels like standing on the precipice and attempting to make focussed choices.

Walking to the supermarket. Domestic stuff, not very exciting really. Coffee, rosemary, goat’s cheese and so on. It’s about 25 minutes or so away and there are others that are nearer. I could get the bus, but sometimes it’s good to trundle through the streets. Particularly today.

Today I take a different route on the way there, zig-zagging along the quiet afternoon streets. The bare trees are starkly outlined against the brilliant blue above, while the streets below lay in shadow. Planes slip idly across the horizon.

On the way home, I move along streets I’ve never walked along before. There are whole sets of lovely roads with sleek rows of old houses with white paintwork, glistening in the lowering sun.  Barely a soul around. A beautiful black Scottish Terrier passes, looking like a brush carefully sniffing its way along the path.

And home now, where a soft yellow glow is beginning to meet the brilliant blue. All over my flat, I find shards of sunlight in unexpected corners. Even at this hour, there is a sharp sliver of moon high in the winter sky.

The one intriguing thing to me is the jagged reflection of St Paul’s in the glass: Wren’s vision making its presence known.

St Paul's Cathedral reflected in the glass

The problem is the transport at weekends. Victoria line completely closed. Circle, Metropolitan, Hammersmith and City closed at random points. All these connecting arteries not really connecting. I hope the Olympics will be worth it.

And then the buses were diverted around the Square Mile because of the Lord Mayor’s Show. So, a combination of tradition and modernity conspired to snarl up a simple journey to the library to write.

When I got to the library to write, a power cut had snarled up the computers.

So, writing today was not to be and I was feeling philosophical about it by this stage. I chatted with an officer from the City of London police and established that yes, the buses were still diverted and what a bloody nuisance it all was. At 1.30 I gave up the ghost to go home.

There was relative sanity on the Piccadilly line.  Opposite sat a beautiful man asleep with his book open. And above him, part of the Poems on the Underground series, was this newly-discovered gem by Katharine Towers entitled The Way We Go:

the way we go about our lives
trying out each empty room
like houses we might own
eavesdropping for clues in corridors until

standing at a gate or attic window
seeing beauty in a flag of sky
we’re gone, leaving the doors open
all the lights burning

(copyright Katharine Towers)

Simple and beautiful.

He spoke of wanting a Zoot Suit (and of looking ridiculous in it when he tried it on); of the trials posed by directors; of his parents cursing in their native Yiddish.

The Cottesloe, the theatre where the event was held, is a rather odd place. We discovered that you need to leave the National Theatre, wander along through something akin to a car park and enter another mysterious (and hitherto never-seen) doorway. Once there, you have to navigate the strange seating system, only to be sharply told that you’re on the other side of the auditorium. More seating navigation required. Inevitably, our seats were at the end of the row and required us to squeeze past a pillar and clamber over from the row behind to avoid disturbing the seated patrons.

Did I mention that all of these fresh discoveries were made while we carried plastic beakers full of red wine? But of course they were… Naturally, we were the only ones ambling along to find the theatre with beakers in hand. When squeezing into our seats, one friend clambered over the row, then held the wine and the coats while the other friend followed suit. All attempts to be ladylike vanished (vanquished?)

Stephen was still the business, though.